Kultura

Using puppets, moodily masked human counterparts and eloquent mime, “Hunchback,” at the New Victory Theater, is a captivating retelling of the “The Hunchback of Notre Dame.”br/br/span class=”advertisement” a href=”http://www.pheedo.com/click.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://theater2.nytimes.com/2008/10/31/theater/reviews/31hunc.html”img src=”http://www.pheedo.com/img.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://theater2.nytimes.com/2008/10/31/theater/reviews/31hunc.html” border=”0″//a
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“Play On!,” the 31st edition of the Big Apple Circus, performed under its little big top in Damrosch Park at Lincoln Center, shining a spotlight on the music essential to the spectacle.br/br/span class=”advertisement” a href=”http://www.pheedo.com/click.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://www.nytimes.com/2008/10/31/theater/reviews/31appl.html”img src=”http://www.pheedo.com/img.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://www.nytimes.com/2008/10/31/theater/reviews/31appl.html” border=”0″//a
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bdquo;Niech cisza nie boli, gdy słoacute;w zabraknierdquo;….To opowieść o ludziach ich bogat…

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In “Love Child,” a delicious $15-a-ticket romp at the 59E59 Theaters, the actors Daniel Jenkins and Robert Stanton have created an outlandish backstage story full of eccentric characters.br/br/span class=”advertisement” a href=”http://www.pheedo.com/click.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://theater2.nytimes.com/2008/10/30/theater/reviews/30chil.html”img src=”http://www.pheedo.com/img.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://theater2.nytimes.com/2008/10/30/theater/reviews/30chil.html” border=”0″//a
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Adult actors playing children onstage is usually about as appealing as adults acting like children offstage. But Gio Perez handles this delicate task with an aplomb.br/br/span class=”advertisement” a href=”http://www.pheedo.com/click.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://theater2.nytimes.com/2008/10/30/theater/reviews/30trees.html”img src=”http://www.pheedo.com/img.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://theater2.nytimes.com/2008/10/30/theater/reviews/30trees.html” border=”0″//a
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“Beachwood Drive,” set in Los Angeles, reflects the ethnic hodgepodge of modern American cities.br/br/span class=”advertisement” a href=”http://www.pheedo.com/click.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://theater2.nytimes.com/2008/10/30/theater/reviews/30beac.html”img src=”http://www.pheedo.com/img.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://theater2.nytimes.com/2008/10/30/theater/reviews/30beac.html” border=”0″//a
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Peter Brook’s production of “The Grand Inquisitor,” at the New York Theater Workshop, is less an interpretation than a straightforward presentation of Dostoevsky’s parable of worldly and spiritual power.br/br/span class=”advertisement” a href=”http://www.pheedo.com/click.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://theater2.nytimes.com/2008/10/30/theater/reviews/30grand.html”img src=”http://www.pheedo.com/img.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://theater2.nytimes.com/2008/10/30/theater/reviews/30grand.html” border=”0″//a
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Either Mike Daisey has impeccable timing — make that positively uncanny timing — or the gods of theater view this writer and performer with unusual benevolence.br/br/span class=”advertisement” a href=”http://www.pheedo.com/click.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://theater2.nytimes.com/2008/10/28/theater/reviews/28see.html”img src=”http://www.pheedo.com/img.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://theater2.nytimes.com/2008/10/28/theater/reviews/28see.html” border=”0″//a
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The full cast has been announced for the forthcoming Broadway revival of “West Side Story.”br/br/span class=”advertisement” a href=”http://www.pheedo.com/click.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://artsbeat.blogs.nytimes.com/2008/10/29/west-side-revival-meets-its-maria/index.html”img src=”http://www.pheedo.com/img.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://artsbeat.blogs.nytimes.com/2008/10/29/west-side-revival-meets-its-maria/index.html” border=”0″//a
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This cloying show about the irrationality of love, finds John Patrick Shanley communing loudly with his madcap side, which hasn’t been very visible in recent years.br/br/span class=”advertisement” a href=”http://www.pheedo.com/click.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://theater2.nytimes.com/2008/10/29/theater/reviews/29roma.html”img src=”http://www.pheedo.com/img.phdo?x=fbe6052dbaf14a4e9846f8e0684e279bu=http://theater2.nytimes.com/2008/10/29/theater/reviews/29roma.html” border=”0″//a
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